Football, Fandom and Consumption Critical Research in Football Series
Auteur : Brooks Oliver
![Couverture de l’ouvrage Football, Fandom and Consumption](https://images.lavoisier.fr/couvertures/1317599736.jpg)
Modern football is an industry and capitalism is its engine. However, this book argues for a more nuanced understanding of contemporary football culture and the (self-)identity of football fans.
Drawing on original ethnographic research conducted with fans at all levels, from international to lower league, the book explores the tensions between fans as consumers and ?traditional? football cultures, arguing that modern football fans are able to negotiate the discourses of capitalism and tradition operating upon them to enact their own power and identity within football culture.
Featuring case studies of Norwich City, MK Dons and Chelsea fans, this is fascinating reading for anybody with an interest in sport and society or cultural studies.
1. Introduction: #Youarefootball, 2. The People’s Game?, 3. Changing Formation, 4. Norwich City: ‘The Best Pies in the League’, 5. MK Dons: Fear and Loathing in Milton Keynes, 6. Chelsea: ‘Champions of Europe’, 7. ‘IN-GER-LAND’: Ethnography in the Pub, 8. Conclusion: They think It’s All Over, Appendix A
Oliver Brooks is Tutor in the School of Politics, Philosophy, Language and Communication Studies at the University of East Anglia, UK.
Date de parution : 09-2020
15.6x23.4 cm
Date de parution : 02-2019
15.6x23.4 cm
Thème de Football, Fandom and Consumption :
Mots-clés :
Young Men; Football Culture; Oliver Brooks; Contemporary Football Culture; football; Cross Bar; soccer; AFC Wimbledon; fandom; Post War; sport fans; Consumer Fans; consumption; Traditional Fan; ethnography; Snake Pit; Norwich City; Fan Identity; MK Dons; Chelsea Fans; England supporters; Cable Tv Service; football supporters; Modern Stadium; Casual Fans; working class culture; Fulham Broadway; hooligans; Dons Fans; community building; Core Identity; community sport; Participatory Fandom; sport products; Family Fans; Game’s Capitalism; Chelsea; capitalism; identity; cultural studies; international football; English Premier League; English Football League; Football Collective